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Gracie Fairshaw and the Mysterious Guest - a Guest Blog by Susan Brownrigg

Posted By Jacob Hope, 10 July 2020

We are pleased to welcome Susan Brownrigg to the blog.  Susan grew up in Wigan and lives in Skelmersdale.  She works as a museum learning and community manager Susan is a SCBWI British Isles 2016 Undiscovered Voices competition winner.  Susan discusses the research that she undertook when working on her debut novel Gracie Fairshaw and the Mysterious Guest.

 

When I decided to write a book set in the North, there was only ever one option! Blackpool!  I love Blackpool – and I’m not alone! 18 million people visit every year, making it Britain’s favourite seaside resort.  If you grew up in the North West, as I did, then chances are – like me - you have many happy memories of this magical town. It is a place of wonder, full of colour and light. A place for fun and family.

When I was a child (back in the 1980s) I loved visiting the iconic Blackpool Tower – especially the aquarium and circus, building sandcastles on the beach, riding on the heritage tram through the Illuminations and going on the rides at the Pleasure Beach – especially the Noah’s Ark, Ghost Train, River Caves and Hiram Maxim Flying Machines.

What I didn’t know then, was that those experiences were the same ones experienced by children in 1935 (when Gracie is set). While the rest of the country was struggling through the Great Depression, people were still flocking to Blackpool, just as they had for the traditional Wakes Weeks.

It was only when I came to write Gracie Fairshaw and the Mysterious Guest that I realised how fortunate and unusual it is that Blackpool’s seaside heritage has survived. So many other resorts have lost their pier (Blackpool has three!), their Winter Gardens and their vintage funfairs.

I love research, it helps me connect better to the setting of my books, prompts unexpected turns in my plots and influences my characters. Before Gracie, my books were all set overseas and trips to Madagascar, Peru and Cambodia were unaffordable, so I used books, National Geographic, TV documentaries, Youtube, Flickr, Pinterest, Google Earth and blogs to explore their histories and environments.

My new setting, Blackpool, is only an hour’s drive away. Now I could physically follow in my character’s footsteps. I could experience what she experiences.

My senses went into overdrive!

I stepped into the Blackpool Tower Ballroom and felt the thrill of hearing the Wurlitzer organ. I bravely gritted my teeth and screamed my way along the undulating rollercoaster track of the Grand National. I ate delicious freshly fried chips with salt and vinegar in the drizzle and sweet, sticky pink rock.

I learned all about trams from experts on a guided tour of the heritage tram depot, with the smell of hot oil all around. Then rode a beautiful cream and green 1930s balloon tram that gently rattled along the prom.

I had so much fun!

Of course, reading still played an important part in my research. My book is centred around the weekend of the 1935 Illuminations Switch-On. That year, Audrey Mosson, a 15-year-old Blackpool girl, who had recently been crowned Railway Queen was invited to perform the ceremony, but my many Blackpool books barely made mention of the event.

Fortunately, Blackpool’s Heritage Centre (based in Central Library) has a fantastic archive. After guidance from the helpful, friendly staff, I was able to view original Blackpool Gazette newspapers on a microfiche reader.  This proved to be a treasure trove, with not only full news coverage of the Switch-On but also lots of advertisements and more general features that gave me a real feel for the period. I was also able to fact-check, find out what the weather was like (rainy) and quote Audrey’s speech at the Switch-On which I hope has given my book verisimilitude. And an unexpected discovery was finding that the Gazette used to have a children’s page – which prompted the creation of the League of the Shining Star club in my book.

I was also chuffed to discover that a temporary exhibition From Loom to Limelight was taking place at Leeds Industrial Museum. The focus was on Queens of Industry – cotton, railways and coal – and Audrey Mosson’s gown, chain of office and tiara were to be displayed. The photographs I had seen of Audrey were in black and white but now I could see that her outfit was a rich blue with gold tassels. It was a very emotional moment, seeing the clothing she had worn that special day. A vivid link to the past.

Having got to know Blackpool so much more during my research, I was keen to team up with the town’s art, heritage and literacy community. So I was thrilled when my publishers (Uclan Publishing) suggested I team up with Get Blackpool Reading for my book’s launch.

Get Blackpool Reading is a community-driven campaign led by the Literacy Trust in partnership with Blackpool Council and Blackpool Opportunity Area. The project works with local partners, schools and businesses to promote reading for pleasure among children and families.

I was invited to create a Detective Trail for families using the GBR facebook page. This was a series of three videos, each focusing on a different part of Blackpool.

I filmed the challenges early one morning near to the Tower, the Town Hall (where the 1935 Switch-On took place) and the North Shore Cliffs where the climax of Gracie takes place. Each briefly explored the history of the location, its connection to my book and I invited children watching to complete an activity.

For publication day I took part in a Q&A interview hosted by Jill Connolly (Project Manager, Blackpool Family Literacy). The questions were all sent in by Blackpool school children and I loved answering them.

You can find out more about Get Blackpool Reading at https://literacytrust.org.uk/communities/blackpool/ and on facebook at https://www.facebook.com/getblackpoolreading/

Gracie Fairshaw and the Mysterious Guest is published by Uclan Publishing.

ENDS

 

 

Images

Susan Brownrigg in the Blackpool Tower Ballroom

Susan Brownrigg in the Heritage Tram depot, Blackpool

Susan Brownrigg with Audrey Mosson’s gown, Leeds Industrial Museum

Susan Brownrigg as a child in Blackpool

Susan Brownrigg with her debut book Gracie Fairshaw and the Mysterious Guest.

Book in bucket

Chips

 

 

 Attached Thumbnails:

Tags:  Blackpool  mystery  reading  reading for pleasure 

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Interview with Amy McKay about Corby Business Academy's Transition Project

Posted By Jacob Hope, 09 July 2020

It is a real pleasure to welcome Amy McKay, our very own Carnegie and Kate Greenaway Medal co-ordinator to the blog to discuss the transition project she runs at Corby Business Academy, where she is school librarian.  Amy was voted School Librarian of the Year in 2016 and together with her colleague Christina Mangin was awarded the Praise and Raise trophy in the Renaissance awards.


Can you tell us a little about yourself?

I’ve been a school librarian for the first fifteen years of my career.  Alongside that, I am the National Co-ordinator of the Carnegie and Kate Greenaway Medals.  The thing I love most about my job is working with young people and their honesty and openness.  There is nothing more satisfying that being able to match someone up with the right book, especially when it’s a student who wouldn’t normally have read, it’s a chance to make a difference.

You’ve recently been planning a transition project, what makes this such an important stage for children’s reading?

It’s a key time in general, it can be both scary and exciting.  Moving up to year seven is a time of great change so anything that anyone can do in the school to support that is really important.  The library can play a key role in support offering an environment that is open, warm and welcoming.  We can be a safe haven for them, with staff they know and with regard to reading in general.  Reading for pleasure can drop off when children are not in school and that easily results in dips in literacy.  Anything we can do to encourage them to keep reading is really important.  Transition gives an opportunity to establish ourselves as a reading school and to be able to provide guidance and to make it fun and enjoyable rather than a chore!

How long have you been running your transition project and what does it involve?

This is the sixth year of running the project in its current form.  In a normal year it entails all incoming year six students receiving a copy of the same book to read over the summer holiday and receiving a special activity sheet we put together.  We try to make all of the activities fun: building a den outside, telling us about horrible food that they’ve eaten, we design the activities so that through taking part, they tell us a bit about themselves and bring that in to school. 

The book is used in school in the early part of the term and during the latter part of that first term the author comes to give a talk and signs books.  Getting the books to the students is one of the most important elements of the project, it gives a chance for us to introduce ourselves, for them to become familiar with us.  By telling them a bit about ourselves, we become familiar and friendly faces they seek out. 

We work with 25 to 30 primary schools to arrange visits with those students who are attending Corby Business Academy.  It takes a lot of planning, but it is a high point.  It’s a unique time in their lives, they are full of excitement but also have a sense of trepidation and are not sure how things will work out.  They are excited to see someone who can answer their questions and there is still so much enthusiasm.  It puts me in a good place as the school librarian because it means I can identify different personalities and think about ways to support these.

What kind of support is needed to make this happen?

The biggest support is from my colleague, Christina, in the library.  The project is delivered jointly by us and is a real team effort.  The support of the transition vice principal is also integral and then of course the primary schools themselves.  Over the years the project has been running, we’ve had the chance to build some fantastic links which has given a chance to liaise and work with schools at other points through the school year helping us to build a real community of reading!

What tips would you give to anyone wanting to run a transition project?

The biggest tip would be to buy slightly more books that your intake!  We have an intake of 200 students, but always buy additional copies (circa 210 copies).  I don’t chose a book that has been out in the last six months so that we can try to get the best support from publishers that is possible.  We also try to make it one that is not too well known in the hope that we are introducing students to new authors and books!  It is excellent to involve other staff, particularly English teachers, so that they can have conversations.  This enables the book to be embedded across different departments and establishes a reading culture within the school.  We try to use English as a springboard into other curriculum areas so when using Dave Cousins’ I’m a Nobody Get Me Out of Here we’ve had maths departments coming on board with measurements and have used heavily illustrated titles so there are links with art too.

How do you go about selecting the book?

It’s really hard to pick a book that 210 students will like when reading tastes and abilities are so varied.  Going for a funny book is a good choice as everyone likes a laugh.  It is also good to go for one that can be accessed by as many people as possible.  We don’t tend to go for upper ability as the shared reading experience is really important.  We’ve gone for Julius Zebra by Gary Northfield and Dragonsitter by Josh Lacey and Phil Earle’s Superhero Street.  We always try to choose books that are part of a series so readers have next steps.  It’s amazing the impact the project has, although Julius Zebra was two or three years ago, it’s still really popular in school as younger brothers and sisters have been told about it and word of mouth has spread.

Has lockdown affected any of your plans for this coming intake?

School were keen we continued with the challenge this year.  The big problem was how we got the books to the schools logistically.  We needed an alternative.  Happily Bloomsbury have produced a fantastic book in connection with the National Literacy Trust put together by Katherine Rundell, The Book of Hope.  It is full of extracts of books, short stories, poems, essays about hope. 

The book is available online for free over the summer.  It will be released in hard copy over the Autumn.  We changed the challenge this year.  We produced an accompanying booklet so if a student enjoys certain types of stories – funny stories, school stories – we could guide them. 

The students are likely to have missed quite a lot of school and we know that there might be concerns around mental health and concentration.  With this in mind, we’ve prepared lots of activities and fun ideas including children continuing some of the stories themselves and recommendations to springboard readers into different books and authors.  There are some fantastic people in the collection, all the ones as librarians we’d like young people to know about.

The money that would ordinarily be spent on books has been ring-fenced and the plan is that once author visits can happen we will invite two or three contributors.  Beatrice Cross at Bloomsbury has been incredibly supportive of us using the anthology.

Ordinarily we would have had the chance to meet with students face-to-face.  As that won’t be possible in the same way and because students won’t have their transition day in the way they normally would, we appealed to staff asking whether they would be willing to be videoed reading extracts from the book.  We anticipated having perhaps 15 people taking part, but we’ve had such a positive reaction we’ve got over 40 videos.  This is brilliant, it increases accessibility and is fantastic as it makes it a project for everyone.  It also means that students will see the faces and learn the names of 40 different staff members which can help allay some of the anxieties of the new start.

Anyone wanting to run a similar project will be keen to know about outcomes, are there any you can share?

The biggest outcome for me is that the initiative has become such a high profile project in the area that all of the schools in the area have asked to take the project on!  This is really exciting as it means all schools are aware of it and parents and children have the chance to engage with it and appreciate it.  All of the schools are using the booklet we’ve produced and it will form the base of a town ‘mass read’ here in Corby.  During the author visits we’re hoping to bring in other schools and collectively we can now reach thousands of children and help them to enjoy reading.

The project has had a profound impact on the library.  Prior to running it, it would usually take new students a little time to come and find the library and begin exploring it.  Now they have a reason to visit and they bombard us from the get go!  From the first breaktime of the first day onwards, we are absolutely full of new year sevens.  We want the library to be their home at school and it’s exciting that they get into the routine of viewing it in this way so early on!

 

A big thank you to Amy for sharing her time and expertise.

 

Tags:  Reading  Reading for Pleasure  School Libraries  Transition 

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An Interview with illustrator Soojin Kwak

Posted By Jacob Hope, 03 July 2020
Updated: 03 July 2020

 

There is always something exciting about encountering a new talent, a voice that has something fresh to say and a new style through which to convey this.  We are delighted to welcome Soojin Kwak to the blog.  Soojin has a degree in illustration from Kingston University in Surrey.  Her first picturebook A Hat for Mr Mountain was published by Two Hoots and in 2019 Soojin won the Bologna Book Fair Silent Book Prize for her silent picture book Starbuilders.  Soojin lives in South Korea but enjoys spending time in the United Kingdom.

 

 

When did you realise you wanted to be an illustrator and can you tell us a little about your training?

 

Who doesn't have childhood favourite characters, picture books, or animations? I especially liked storybooks. When someone crumpled or scribbled my book, I cried until my parents bought me a new one. However, I couldn't buy all the books I wanted. So I drew the characters and pictures I liked and wanted to keep, and I think I might have wanted to be a person who draws something I love from then on. Especially for pictures with stories. So From then to now I just didn't stop. I went to art high school, university, and finally came to London, the place of illustration lovers.

 

What kind of books did you enjoy as a child and why?


I liked the story of animal characters that don't give up. For example, I still remember the penguins who hated the cold. The penguin did not give up despite numerous attempts and frustrations to get to a warm place. I really liked it. Even the boldness and courage to spur an environment that is stable and familiar but doesn't suit him.

 
 

There are some wonderful comments on creativity, kindness and belonging as part of a community in A Hat for Mr Mountain, what do you hope readers will come away feeling?

 

When you create something, difficult things happen. Sometimes the problems seem impossible to solve, alone. This requires kindness to be willing to help and cooperation by sharing the issue. I don't want readers to be afraid of creating something and I hope that they are willing to help each other when difficulties arise.


Can you describe your creative process in writing and illustrating the book?

 

 

It all starts with imaginations. I enjoy creating something unfamiliar by combining familiar things. For example, hats and animals, stars and builders. If I find these materials I start imagining, polishing them with doodles. After that, I make it up to something that can be used for the storybook and arrange it at the end.


You came second in the Macmillan Prize for Illustration.  How important are prizes like this in giving a platform to new illustrators and what effect did this have on you?

 

 

I was a third-grade at this time who wasn't sure what to do after graduation. If I hadn't won this prize, could I have the courage to publish a children’s book? Especially as a foreigner, I don’t think I would have had the courage enough to visit the publishers with my dummy books and explain these fluently. The award-winning experience made me aware that there was a prize for the effort, and gave me the opportunity to meet experts in the publishing field. It also gave me the opportunity to enter the next competition. Of course, the best reward was my precious first storybook.


You won the Bologna Book Prize for Silent picture books, are there any techniques that are needed to tell a wordless stories and ways to help ensure the pictures carry the story?

 

In my memory, children’s books seem to have always been accompanied by words and pictures. But how was it before I could read? We must have created our own story by seeing pictures. So I think silent picture books are a collaboration between the author and the reader. That's why I think it's most important to catch empathy for the topic I'm trying to convey.

 

I was worried whether the audience might understand the content of my book or think it was unrealistic. But one of my child audience’s words made me a fool. “I knew it!”, She said she already knew about this secret process of making stars. It made me more entertaining than any response, because I really didn't have to explain anything, it was totally silent. 


Have you noticed any differences in terms of prevalent styles or attitudes towards illustration in the UK and South Korea?

 

 

I am not an expert to analyze. So just to explain what I have felt, UK illustrations have a distinctive colour style and mix well with faces and lines. The composition and form are more abstract and more artistry than descriptive. In Korea, lines are more distinctive and more descriptive.


What's next for you?

 

 

In fact, this question is the simplest but most difficult to answer. Of course, I'm planning to publish my third book, hoping it's more unique and fun than the previous two. And after that, I wish to have a fourth and fifth book if possible. Also, I am trying to build an entertaining character like the Moomins or the  Gruffalo, which is my dream for now. I rather to be known as a delightful character or story than my name. I want to remain in the memories of childhood, like I still remember the old favourite fairy tales.

 

Thank you to Soojin for making time to be interviewed and for generously allowing us to share some of her illustrations which are well worth exploring below.  To see more of Soojin's work, why not visit her website at https://www.kwaksoojin.com/

 

 

 Attached Thumbnails:

Tags:  illustration  Reading  Reading for pleasure  silent stories  visual literacy 

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Candy Gourlay Discusses First Names: Ferdinand Magellan

Posted By Jacob Hope, 02 July 2020

We are delighted to welcome Candy Gourlay, author of Tall StoryShineBone Talk and Is it a Mermaid? to discuss her new biography First Names: Ferdinand (Magellan). Candy won the SCBWI Undiscovered Voices, her books have been included in National reading promotions and initiatives and it is a real pleasure to welcome her to the blog.

 

You've worked on fiction, picture books and Ferdinand Magellan is your first information title.  Did its creation require a different approach and how did you set about this?

 

Yes! Ferdinand Magellan is my first non fiction book – but I definitely used novel writing techniques such as rising tension, a three act structure and character development to create the story. Funnily enough, I do about the same amount of research for my fiction. The big difference between Ferdinand and my other books is that it was very much a team effort. I worked closely with the lead editor Helen Greathead (who, I swear, does not sleep) and Rosie Fickling. And when it came time for illustration, the research continued – for example, we had to find the right picture references to make sure the indigenous people were portrayed respectfully ... and plausible (a lot of the picture references from the 16th century are suspect!). At one point, the wonderful illustrator Tom Knight had to draw what the ship toilet seat looked like! I found a museum photo of one from a wreck! 
 
It was also much faster than I normally work. I wrote it in two months and the text was edited and ready for proofing within a year ... I have been known to take years to write the first draft of a novel! I was so impressed with Tom who managed to produce so much complicated artwork so quickly! 

 
How did the idea first come about and can you tell us a little about the book?
 
DFB created First Names as a biography series to put children on first name terms with both historical characters like Abraham Lincoln and contemporary figures like Malala Yousafzai. My editor Helen Greathead asked me if there was someone I would like to write about for the series and Ferdinand Magellan immediately sprung to mind. "Ferdinand" as we refer to him in the series is an extraordinary person who lived during extraordinary times. Against many odds, he led the voyage that became the first circumnavigation of the world (even though he did not survive to complete it). There's a penguin named after him as well as a galaxy! He has given his name to the passage he discovered linking the Atlantic Ocean to the Pacific Ocean. Heck, it was Ferdinand who named it the Pacific, but for a long time it was called Magellan's Sea. He was also the first European to land in the Philippines, where I was born.

Screen Shot 2020-06-26 at 17.50.58.png
Because Ferdinand "discovered" the Philippines, he is the first historical figure Filipino children are taught about in school. Growing up in the Philippines, I was taught that Magellan's arrival was the beginning of our history, as if nothing had happened before Europeans came to Southeast Asia.
 
So for me, writing this little book has been hugely important.
 

The book details a lot of global figures including Eratosthenes, Aryabhata, Ibn Hazm and many more.  How much research was required for the book?

 

LOTS! I don't think you can discuss Magellan without understanding the context of his journey. 
 
When structuring a novel, I have to make sure that nothing happens randomly: that cause and effect drive the plot forward. It was the same writing this biography: Ferdinand would not gone on the journey if he had not defected to Spain. He would not have defected had he not been mistreated by the Portuguese king. He would not have had such a high opinion of himself had he not been a highly regarded veteran of the wars conquered the Indian Ocean. He would not have wanted to go on his journey had not grown up in a Portugal where explorers were regarded as rock stars. There would have been no explorers had the Ottoman Empire not choked off the spice trade and the silk route. And so on. 

 

How conscious were you of creating a 'global historical perspective' rather a politicised one?  Were there challenges involved with this?
 
I deliberately use "The Age of Exploration" instead of " The Age of Discovery" out of respect for the peoples that suffered invasions during this period. As a Filipino, I am acutely aware of how this era has been portrayed in history books – these heroic explorers discovering weird peoples. The explorers wrote narratives that dwelled on the strangeness of the cultures they encountered and it would be unfair to take these writings verbatim. Of course we don't have the writings of these indigenous folk to tell us how they felt, but the design of the First Names books allowed me to give them a voice.  

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Ferdinand_Enrique.png
 
I was learning as I went along. I didn't want to tell Ferdinand's story in isolation, as a novelist, I felt that his story would only make sense if I made sense of his world. I didn't know about the Portuguese armadas that pillaged the continents on either side of the Indian Ocean. I didn't know of the elaborate societies that traded with each other in Southeast Asia. It was very exciting, I felt like an explorer myself!
 
 Because this is a children's book, it was important to write about Ferdinand's childhood ...but there is very little information to be found. All I knew was that he was an orphan and he lived in Porto. So I researched what happened to orphans in that era ... and was astonished to discover that the Age of Exploration meant many orphans were shipped off to Portugal's new outposts in newly discovered lands! And I found out that Porto was where the ships used for Portuguese exploration were built. Imagine growing up and seeing those ships heading out to the unknown!

 

What was the most surprising fact you discovered in writing the book?

 

I had been researching the European drive to reach the East Indies before I realized: the Philippines was the East Indies!
 
The other surprising fact was how multicultural Spain and Portugal were during the Age of Exploration. There is a painting called The Chafariz d'El-Rey (King's Fountain) (download the photo here https://en.wikipedia.org/wiki/The_King%27s_Fountain#/media/File:Chafariz_d’El-Rey,_c._1570-80_(Colecção_Berardo).png) set in a Lisbon dock. It shows a crowded embankment, including many black people, some wealthy, some poor. I realized that Ferdinand's desire to travel might also have been driven by seeing so many people from foreign lands and wondering where they came from. I wish we could find out more about the painting.
 

The toppling of the statue of Edward Colston in Bristol powerfully demonstrated the importance of how we communicate history and educate this.  Do you feel there is the need for change and in what ways could this be achieved?

 

Absolutely. History is a many-sided narrative – as can be attested by the Filipino experience of reading our story through the prism of our conquerors who repeatedly commented on our ugliness, the darkness of our skin, our strangeness and our indolence. The usual reading of this story dismisses as bit players the indigenous people whose lives were changed forever by explorers.  It's high time our children are taught to read this narrative critically, ask questions and do the work to find the answers.   

Examining the impact of the Age of Exploration on its victims, does not diminish Ferdinand's achievement. In fact, realizing what a human figure he was, tormented by low self esteem and rejection, made me feel empathy towards him, and yes, made me admire his achievement all the more.
 
Writing this book, I was constantly thinking of the children I meet during school visits. What will children of African heritage feel when they read about how Vasco Da Gama fired cannons willy nilly on the African kingdoms on the shore? How will children of Indian heritage react to the destruction wrought by Portugal on India's Western coast? And I thought of children in my native Philippines, who have no idea of the Philippines' pivotal moment in the Age of Exploration. 
 
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Ferdinand was published during Lockdown, what challenges did this present and has it led to you exploring different ways to encourage engagement with the book? 

I had 28 school visits and speaking engagements booked and Lockdown cancelled them all! Children's authors, who make their living via these bookings, are looking at a difficult year (or two!) ahead. I honestly don't see author visits happening in the coming months. Like a few other authors, I've begun creating videos of my presentations in lieu of visiting schools in person. I've just finished one for Ferdinand and boy, I've learned a lot of things. Without the thrill of a physical presence, I imagine children will struggle to watch a continuous author presentation, especially if it is via Zoom. So I've tried to make mine lively, with quizzes, lots of visuals, and even a comedy song (that's a screenshot of me from the video, with my trusty giant beach ball globe that took me two days to inflate)! A teacher's guide is available as a free download and the videos will be available for rent on my website http://candygourlay.co.uk
 
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What is next for you?
 
I am currently working on my next novel but it's all still very rough and it's impossible to say when it will be published. This year, I do have a small book for younger readers with Stripes' Colour Fiction Series. It is called Mike Falls Up and it is illustrated by the wonderful illustrator Carles Ballesteros, based all the way in Chile! I can't wait until it's out!
 
 
Thank you so much for having me. People in the business discount these series books but you can tell that Ferdinand is a book that is very close to my heart. I feel privileged to have worked on it!

 

 

Tags:  Biography  History  Information  Reading  Reading for Pleasure 

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How has Lockdown Changed our Reading Habits

Posted By Jacob Hope, 29 June 2020

We are living in a unique period of British – World even – history. For the first time on record, schools, pubs, shops and businesses have all closed for months and we are all being forced to change the way we live our lives. As we spend almost all of our time at home, living life at a significantly slower pace, we would like to know: how has lockdown changed our reading habits?

We came up with a series of questions, about reading habits in lockdown, and sent them out to staff and our wider school family of students, parents and friends, via email and Twitter. The results were sometimes as expected, sometimes surprising but always fascinating:

Lockdown has affected many people’s reading habits so we asked if people had been reading more and from our survey, we found that 62.5% of people surveyed said yes, they were reading more during lockdown and 37.5% said no they were not reading more. Out of that 37.5% of people 18.75% said they were reading the same amount as they were prior to lockdown. We found 18.75% of the people surveyed said that they read before bed to help them sleep. Out of the people that said they read more during lockdown 37.5% doubled their normal reading time.

Lockdown has changed everybody’s lives: although these changes seem negative, one huge plus is that there is more time to enjoy activities you wouldn’t usually have time for.  Now people have time to read, it’s interesting to look at how different people like to enjoy a good story.  Although only one in 13 people asked have been using audio books, 23.1% have used Borrow Box to access free books. Borrow Box is an online library service that allows users to borrow books on their Kindles and other e-readers.

We were also interested in finding out how people’s reading habits have changed during lockdown, the results from our survey showed 64% felt their reading habits had changed with 43% reading significantly more. Many people have been reading different genres for example: “I’ve read non-fiction for pleasure for the first time in years,” said one person who was surveyed, another response was “I’m finding more time to read during the day and not just before bed. I’m also making time for more academic reading for work.”  We were intrigued  to find out that 28.5% of people surveyed stated that they were reading online (i.e. Twitter, Audiobooks or online articles/sites).

When we asked the public if they had been experimenting with different genres during the lockdown period, we got a very mixed response.  The majority of people said that they’d stuck to their usual styles of reading, but 38.5% informed us that they had indeed tried different genres. One person said that they find comfort in reading historical fiction to escape this confusing time, and two people have indulged in biographies. Another respondent told us that they’d started listening to audio books as a family, helping little ones to develop a love for reading.   

The final question which we asked about changing reading habits was about the style of books we choose to read, which can change depending on the circumstances at the time. So, we asked which books people would recommend whilst in lockdown. These were some of the answers we got: Many people recommended exciting and thrilling books such as The Hobbit by J. R. R Tolkien, Shadowsmith, The Nowhere Emporium and The Elsewhere Emporium, all of which are by Ross Mackenzie, and The Hate U Give by Angie Thomas. Whereas, some people decided to choose books that would make them laugh, such as the Thursday Next novels by Jasper Fforde and the St Mary’s series by Jodi Taylor.  People choose these books as a means of ‘escape’ from the news of the current pandemic, which can be depressing. However, a few people decided to read books that seemed relevant to the situation or to help them cope with what is going on around us. Some of these books include La Peste by Albert Camus, Calm by Fearne Cotton and The Boy at the Back of the Class by Onjali Q Rauf.

At this time, I personally recommend reading books that are part of a big series like Harry Potter by J.K Rowling or The Darren Shan Saga by Darren Shan because I feel you will never get bored with these books.

One thing that has come out of our research is very interesting and nice to know: when we face difficult and trying times, more of us that ever, turn to books to help us to get through them.

 

 

With grateful thanks to Isabel and Lewis Y7 and Ella Y8 from  Millfield Science and Performing Arts College, Thornton Cleveleys for writing and researching this blog.  Grateful thanks too to Mel Bleakley for her support.

 

 

Tags:  Covid19  Lockdown  Reading  Reading for Pleasure 

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Will Mabbitt on Virtual Author Visits

Posted By Jacob Hope, 26 June 2020

Will Mabbitt is the author of multiple children’s books including The Unlikely Adventures of Mabel Jones, This is NOT a Fairy Tale and I Can Only Draw Worms. After the summer holidays he’s launching the latest book in his Embassy of the Dead series, Destiny Calling, with an international virtual schools tour.  We are delighted to welcome him to the YLG blog to discuss virtual author visits.

 

 

When my first book, The Unlikely Adventures of Mabel Jones, came out, I was told I would have to do school visits. The idea of going into a school and taking the stage before an assembly of children and teachers filled me with the same dread that my hero, Mabel Jones would’ve felt when she climbed from her kidnappers child-sized sack and found herself facing a crew of bloodthirsty animal-pirates.

 

Happily for me, the actual experience of visiting a school was totally different to how I’d imagined, I loved meeting the kids and teachers, and I saw for myself that - with  book-loving teachers and (for the lucky few schools) librarians - how useful an author visit could be to further develop or kick-start a reading culture within schools.

 

Since then I’ve visited over a hundred schools all over the world, everyone of them slightly different, every school with it’s own unique personality, and I’ve left every single school thinking that I have one of the best jobs in the world!

 

It will come as no surprise then, that recently I’ve been pondering on how I can continue to offer visits to schools and libraries in a post COVID19 world. With these challenges, though, comes the opportunities for schools to reap some of the benefits offered by virtual author visits. Something, I’ve actually being doing for a while now for schools and libraries either without the budget for a full day, or maybe outside the distance I can feasibly get to by train. Here are some of the benefits to schools, libraries or any other group thinking about a virtual author visit.

  • They’re less expensive! Schools are no longer covering travel, accommodation or having to feed me biscuits and multiple cups of tea.
  • They’re more flexible! Schools don’t have to commit to a full day. If you’re on a limited budget you can focus the visit on a particular year group or reading level. You can even have multi-author visits.
  • They’re easier to book! Schools have more days to choose from, as authors can fit shorter visits around meetings, writing, and other work.
  • More schools can take part! As the author, this is my favourite… Any school in the world (with the technology) can have a virtual author visit with potentially any author in the world! It’s great for authors, and it’s great for schools in areas not served by local authors. 

Less washing up! I am no longer leaving biscuit crumbs and unwashed tea mugs in your staffroom sink.

 

Of course, there are a number of challenges faced by schools (and authors) looking to do an virtual author visit. Luckily, with planning (and an amenable author), these are easily overcome:

  • "Our technology is rubbish” Schools all have different technologies, some less reliable than the others. So far I’ve visited schools, libraries, and even a Brownie Troop with Skype, Microsoft Teams, FaceTime and Zoom. All platforms have pro’s and con’s and usually teachers won’t have a say in which one to use, so it’s the authors responsibility to adapt. I think they key thing is to relax and not stress out if it doesn’t work for whatever reason. Unlike a usual author visit, it’s easy to rearrange and try again. 
  • “We can’t buy signed books.” Most schools want the opportunity for their kids to buy signed books. Just because the author isn’t at the school doesn’t mean this can’t happen. The author should be able to help you out with this so don’t be shy to ask before the event but be aware it takes some time to organise. 
  • “It’s not as good as a normal school visit” School’s would be correct in thinking that often a virtual author visit is a poor substitute for an in-person author visit. Mine certainly were when I started doing them. But that doesn’t have to be the case. In the same way I adapt my in-person visits to a schools unique set-up, so I’ve learnt to change my sessions to suit talking to people through a camera.

 

Fingers-crossed I’ll still be doing in-person visits next year, but I’m still really excited to offer virtual visits too. I can’t wait to meet loads of new schools from all over world!

 

Thank you to Will Mabbitt for the blog feature, you can find out about Will and his virtual schools tour and virtual author visits on his website www.mabbitt.co.uk. Follow Will on Twitter at @gomabbitt

 

 

The Embassy of the Dead: Destiny Calling

Author Will Mabbitt takes you on a virtual tour of the Embassy of the Dead and lets you into the grisly secrets of where he gets his ideas, the art of making mistakes, and how to write a story using someone else brain. So, welcome to the Embassy of the Dead. It’s your destiny to attend!

The Embassy of the Dead: Destiny Calling Event is a fun and educational session designed to be delivered over any platform (including and not limited to Teams, Skype, FaceTime, Zoom). 

Sessions are 45 mins and are suitable for years 4 to 7. 

Starting September.

Signed and dedicated books will be available to purchase before and after the event

Please register for these free events on http://www.mabbitt.co.uk/school-visits

 

 

 Attached Thumbnails:

Tags:  Author Visits  Digital  Reading  Reading for Pleasure  Virtual Visits 

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Refugee Week Preview of A M Dassu's 'Boy Everywhere'

Posted By Jacob Hope, 19 June 2020
Updated: 19 June 2020

A M Dassu is a writer and magistrate based in the heart of England.  She is the Deputy Editor of SCBWI-BI's Words and Pictures magazine and is a Director of Inclusive Minds.  A. M. Dasu won the international We Need Diverse Books mentorship award in 2017.  She has used her publisihing advances for Boy Everywhere to assist Syrian refugees in her city and has set up a grant to support an unpublished refugees/recently immigrated writer.  Am Dassu can be followed on Twitter @a_reflective  or through her website We are delighted to welcome A M Dassu to the blog and are excited to be able to feature a preview of chapter one from Boy Everywhere which publishes in October.

 

 

Refugee week was founded in 1998 to encourage an understanding of why people seek safety and to celebrate the contributions of refugees. Unfortunately, over two decades later, xenophobia is still rife and the arrival of refugees and immigrants to this country is still questioned and frequently opposed.

The theme for this year’s Refugee Week is to Imagine and this is exactly what I did five years ago when I first began writing BOY, EVERYWHERE.

In 2015, I put myself in the shoes of a thirteen-year-old boy who lived a happy, normal life; who made plans with friends, had the potential to play for the school football team, an iPad, a PlayStation, a great school, weekends at the mall to look forward to, and I imagined what it would feel like to lose it all.

BOY, EVERYWHERE, was inspired by a news interview that showed refugees in muddy camps wearing Nike trainers and holding smartphones, and talking about what they’d left behind. Looking around my comfortable living room, I realised how similar their lives were to ours in the West and how easily a civil war could bring the same fate upon any of us. I had been supporting refugees by setting up fundraising campaigns to provide food and aid for many years but I knew this wasn’t enough. I wanted to do something long-lasting by sharing their incredible achievements, culture and backgrounds. So I started writing a story about a boy who once had everything.

I have been honoured to spend time with some of the most amazing people, who had been left with no choice but to leave Syria. Among them were English graduates, department store buyers, teachers, doctors and architects, and all of them had to start anew. Through BOY, EVERYWHERE I wanted to focus not only on the arduous journey a refugee takes to get to safety, but also what and who they leave behind and how difficult it is to start again. I wanted the focus to be on who they were and are, their identities as Syrians, not just the temporary political status attributed to them in their new country.

My hope is that this book helps to challenge stereotypes and break down barriers in our society. In a world where we are told to see refugees as ‘other’, I hope you will agree that ‘they’ are also ‘us’.

With love and hope,

A. M. Dassu 

 

 

 

Chapter 1

 

It all started going wrong during English. It was the last lesson on Thursday before the weekend, we’d just finished reading To Kill a Mockingbird and Miss Majida stood at the whiteboard going through some comprehension questions. I was scribbling them down, my head resting on my arm, when Leila tapped me on my shoulder from behind and handed me a note.

Are you coming ice-skating tomorrow?

I’d started writing back when the door flew open and Mr Abdo, our principal, burst into the room.

I shot up from my desk the second he entered and straightened my shoulders. Everyone’s eyes were fixed on Mr Abdo, their faces blank.

‘Pack your bags. You’re all to go home,’ he said, rubbing the creases on his tired, worn face. ‘See you back here on Sunday morning.’

We didn’t need telling twice. Everyone slapped their books shut and the room erupted into noisy chatter. My best friend Joseph turned to me and our eyes locked in confusion. ‘Your parents and guardians have been called and are on their way to collect you,’ Mr Abdo added, loosening the knot in his tie, his lips thin and tight, lines deepening across his brow. ‘But why, Sir?’ asked someone from the back of the class. ‘There’s been a bombing. This is not a drill, eighth grade. We need to get you all home. You know the protocol.’

A collective gasp rose from the room.


Through the sash windows the sky was a clear blue. I couldn’t see any smoke. Everything looked  normal.  The old orange tree stood firm in the sunlit courtyard, the gold crescent moon on top of the mosque’s minaret gleamed in the distance. Behind it the red, white and black striped flag on top of the church tower fluttered gently in the breeze, cars were hooting their horns, the newspaper seller was still shouting out to people passing by his stall.

 

Where had the bomb gone off? Panic prickled through me as I thought of home. I wished phones were allowed in school so I could just call to see if Mum, Dad and Sara were okay. I grabbed my bag to get my iPad, but remembered it wasn’t in there. ‘Joseph, get your tablet out,’ I said. ‘Just want to check what’s happened – I forgot my iPad at home.’

 

‘They won’t have bombed anywhere near us, Sami. Don’t worry,’ said Joseph, pulling his tablet out of his bag and swiping to log in. ‘What shall I type?’ he asked, leaning in towards me.

 

‘Google ‘bombing in Damascus’.’

 

After a second, he pursed his lips and said, ‘Nothing’s coming up.’ He showed me the error message the internet was down again for the second time that day. I felt my shoulders tense and quickly reminded myself that it was usually the outskirts of the city that were bombed. Most   of Syria was torn apart because of the war, but no one had gotten close to Damascus.

 

‘Your mum and dad are at work, right?’ Joseph asked, his eyes focused on my forehead. I realised I was sweating and wiped the back of my arm across my face.

 

‘Yeah, Dad’s at the hospital but Mum worked from home today because Sara wasn’t feeling well. They should be at the


mall now,’ I said, glancing at my Swatch. ‘She’s picking up my football boots before the trials.’

 

‘Well, no one’s ever bombed the centre. The government’s always on high alert – just chill, bro,’ said Joseph, lightly pushing his fist into my shoulder before turning to put his tablet away.

 

He was right. But every time there was a bomb alert,    I couldn’t help worrying. Damascus is safe, I told myself. I took a deep breath, gathered my books and packed them into my bag while Mr Abdo spoke to Miss Majida. She had her hand over her mouth and looked like she was about to burst into tears.

 

A backpack pushed past my arm, followed by another everyone was already leaving.

 

‘They’re doing you a favour, Sami, you weren’t gonna pass the English test later anyway.’ I turned to find George grinning at me. ‘Neither were you, sucker,’ he said, pushing into Joseph. Even at a time like this, George couldn’t help being an idiot. Maybe it was his way of showing he wasn’t nervous like me, but it was so annoying.

 

‘You’re the one that’s gonna fail, loser,’ said Joseph, sticking his face into George’s.

 

‘Shut up! You’re so fat, the only English letters you know are K, F, C,’ George sneered at Joseph, then turned to me, raising his eyebrows and running his hands through his hair. So dumb, I thought. George still hadn’t got over Joseph coming from a non-English-speaking school. The class babble and sound of scraping chairs made it hard to think of a quick response but I had to stick up for Joseph, whose cheeks were now the colour of tomatoes. I rolled my eyes at


George. ‘We’ll see… K, F and C are still three more letters than you know. Did you stay up all week thinking of that one?’ His grin grew, so I added, ‘Shall I use smaller words to make sure you understand what I’m saying?’ It wasn’t the greatest comeback but I couldn’t think of anything else. ‘Loser,’ I muttered, as I watched him get tugged away by his mini fan club, which consisted of exactly two friends.

 

Joseph and I joined the stream of kids leaving the classroom. Mr Abdo was now speaking to Miss Majida at the door, but she stopped talking the second I drifted towards it.

 

Joseph clutched his backpack, his head lowered. He was unusually quiet. Ugh. George had got to him again.

 

‘You want to go to Damer’s for ice cream after the trials?’ I asked to cheer him up.

 

‘Yeah, of course, man!’ Joseph said, his eyes sparkling with excitement. ‘Then we can go again tomorrow after ice- skating.’ He grinned.

 

Mr Abdo marched past us. ‘Hang on,’ I said to Joseph and ran to catch up with him.

 

‘Erm, Sir, we’re supposed to be going to football after school, where shall we wait?’ I said, wondering if Mum had collected my football boots.

He picked up his pace and strode into the classroom next door to ours and started talking to the teacher inside. I shrugged my shoulders at Joseph as he caught up with me. We rushed down the central stairway of the school behind the swarm of students and flowed into the large reception area, where our physics teacher, Miss Maria, was ushering everyone out of the side exit. I slowed down as I spotted Joseph’s dad in a smart dark-grey suit, sitting on


the deep-buttoned green leather sofa with his head in his hands. No one else’s parents were inside, which was odd. The dark wood-panelled walls where the president’s portrait hung made him look even gloomier.

 

‘Baba?’ said Joseph. His dad looked up.

 

‘Ah, Sami, come here.’ Joseph’s dad stood up and reached out to hug me first. Weird. I went to him feeling awkward, and as he embraced me tightly I felt my heart begin to race.

 

He pressed my head against his shoulder and ruffled my hair, then released me and grabbed Joseph. I stepped back, feeling woozy from inhaling his strong aftershave.

 

‘Right, let’s get you both home,’ he said in Arabic, turning from Joseph.

 

‘But what about the football trials?’ I asked. ‘Our driver is bringing my boots. I have to wait for him!’

 

‘Your dad asked me to pick you up. It’s not safe to be out today.’

 

‘But, Baba!’ Joseph interrupted. ‘We were gonna get on the team today! This is so unfair!’

 

‘Joseph, I already told you, it’s not safe to be at the stadium.’

 

Joseph tutted, shoved his fist into the carved wooden door and walked out.

 

‘Thank you! I’ll keep you updated,’ Joseph’s dad shouted at the school receptionist as he followed Joseph out. I ran after him, my stomach lurching. Dad wouldn’t send Joseph’s dad to pick me up unless it was serious. Maybe the bombing was really bad. Dad would know because of the number of casualties coming in at the hospital.


 

The street outside school was a tangle of gridlocked cars and beeping horns. Cars were double parked across the pavement, leaving hardly any room to walk between them. The newspaper seller shoved papers and magazines into our sides as we walked past his stall, desperately trying to get them sold while the street was jammed with people. We    all got into Joseph’s dad’s Honda CRV and I pulled the seat belt over me slowly, looking out at all the parents frowning in their cars. Joseph glanced at me and then pulled out his tablet.

 

‘Can’t believe they dropped a bomb today of all days… been waiting ages for this,’ he muttered under his breath.

 

‘I know…’ I said. ‘I bet Avraham’s on his way with my boots as well. He’s probably stuck in all the traffic now.’

 

‘What did you end up ordering?’ he asked, pressing

 

Start on a game.

 

‘Can’t get the Nike Magistas in Damascus. So I got the Adidas Predators.’

 

‘Oooh, nice.’ He looked out of the window and then said, ‘Thanks for sticking up for me with George.’ His cheeks were flushed again.

 

‘No worries… I’d never leave you to face that thug alone.’ George and his stupid gang had bullied Joseph ever since we started middle school. They thought they could do or say anything they wanted because they were ulad masooleen

kids of government officials. I’d never seen Joseph look so sad or alone as that first week, and I never wanted him to feel that way again. I’d always be there for him. It had always been Sami and Joseph. And it would be for ever.

 

‘Ignore him,’ I said. ‘He’s just jealous of your skills still


hasn’t got over last semester, when you scored that penalty.’

 

Joseph smiled. ‘Yeah, that was awesome. Do you think they’ll rearrange the trials to next week now?’

 

‘Yeah, probably.’

 

As Joseph went back to his game, I stared out of the window, checking out everyone’s cars. Leila’s mum was in her space grey Lexus RX, but I couldn’t see Leila through the tinted glass. Oh man – I realised I’d totally forgotten   to reply to her note after Mr Abdo walked in. I’d message when I got home and tell her me and Joseph would be at the ice rink at 3 p.m. tomorrow.

 

It took twenty minutes to get out of the school street behind all the other cars, but when we got moving I could see the high-rise buildings were still intact, the roads were clear, traffic only building up near the checkpoints. There were a few fluffy clouds scattered in the sky. Something circled the blue far away, probably a helicopter. I still couldn’t see any smoke in the air. They probably bombed the outskirts of the city, I reassured myself again.

 

On the way to Joseph’s neighbourhood, a crowd of people were gathered outside a big villa, the men in smart suits and the women in dresses, some wearing headscarves. But I was more interested in the cars they were standing next to a black Bentley and a white Rolls Royce parked on the road. Both Joseph and I sat up to get a better look, our mouths open, practically drooling.

 

‘Woah. What do you think they’re here for?’ I asked Joseph.

 

‘Probably a wedding… or a funeral,’ he said, showing me his game score and smirking. ‘I beat you, right?’


 

‘Oi! Give me that,’ I said, grabbing his tablet and pressing

 

Play. We’d been doing this for weeks.

 

Joseph’s dad parked outside their apartment building. As the car stopped on the smooth black tarmac, we heard what must’ve been gunshots in the distance. I always thought it sounded like rain hitting a tin roof. But it wasn’t raining. We jumped out, sheltered our heads with our arms and ran through their black front gates. We raced straight up to Joseph’s bedroom, throwing our bags down next to some dried orange peel he hadn’t bothered binning.

 

I sat on the end of his bed while Joseph switched on his PlayStation and small flat screen TV. ‘May as well play FIFA, if we can’t play the real thing, eh?’ he said, his second chin protruding more than usual because of his grumpy face.

 

‘Yeah, may as well,’ I said, wishing the trials hadn’t been cancelled and we were showing off what we’d been practising.

 

There was a small knock on the door and it opened. ‘Hi, you two. Do you want anything to eat?’ asked Joseph’s mum.

 

‘Nah,’ said Joseph, still facing the TV screen, waiting for the game to load.

 

‘How about you, Sami?’

 

‘No thanks, Aunty, but can I have a drink please?’ ‘Sure. What would you like? Coke?’

 

‘Yes, thanks. Shall I call my mum to get Avraham to pick me up? He’s probably waiting for me at school.’

 

‘No!’ she said quickly, in a strange high-pitched voice. ‘Your dad wants you to stay for dinner. Stay there I’ll be right back with that Coke!’ She pulled the door tight and left.


I bit my lip and frowned as I grabbed the remote from Joseph’s hands and put it on TV mode.

 

‘Oi! What you doing?’ shouted Joseph.

 

‘Shhh, I just wanna check the news. See why Dad got us picked up. Don’t you wanna know?’

 

‘Not really. All they’ll show is more dead people.’ ‘Oh, come on, it’ll only take a minute.’

 

‘Go on then,’ said Joseph.

 

I flicked through the channels one by one. Kids’ cartoons, music, documentaries, news channel. My head started spinning as I read the headline flashing in red at the bottom of the screen.

 

DAMASCUS: CHAM CITY CENTRE MALL REBEL TERRORIST BOMB ATTACK

 

I sat staring at the image on the screen. The once-shiny glass building was now partly rubble. The glass half of the mall was a broken grey shell – the concrete half was just about standing. There were no windows or doors left in any of it and people in high-vis jackets rushed through the smoke, debris, rows of police cars and ambulances. I watched, but couldn’t move. My ears throbbed. I could see Joseph’s arms waving around next to me. Everything had slowed down, the noise from the TV and Joseph’s words muffled. I tried to say something, but nothing came out.

 

The mall had been bombed. Mum and Sara were there.  Buying my football boots.

 

 

 


Tags:  Diversity  Libraries  Reading  Reading for Pleasure  Refugee Week 

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An Interview with translator Laura Watkinson

Posted By Jacob Hope, 17 June 2020
Updated: 17 June 2020

Laura Watkinson's translation of Annet Schaap's Lampie made Carnegie Medal history in March when it became the first book in translation to be shortlisted for the awards.  As part of a special international focus day leading up to the announcements of the 2020 Medals we were delighted to talk with Laura about translation and her career.  

 

(1) How long have you been translating and how did you enter the field?

That’s a good question. I’ve been translating on and off since I first started learning languages at school, starting with fun things, like trying to translate the lyrics of “The Bare Necessities” from The Jungle Book into German, which I’m sure was a disaster! I’ve always been fascinated by languages for some reason and was delighted when I found out that I could study them at school – which later extended to university too. I’ve also done other work, including teaching English abroad, working for a subtitling company and a brief stint with the BBC Pronunciation Unit, but often used to do translation work on the side and taught a few university translation courses too. It was a course in literary translation from Dutch into English at UCL that really made me focus on translating books though. I’ve been a full-time translator for pretty much twenty years now. I still love translating and learning languages. I’m your typical language nerd.

(2) In your opinion what are the qualities that make a strong translation and are there any special considerations when working upon fiction?

I think a strong translation captures the tone and spirit of the original book. When an author’s voice is strong and confident, as is the case with Annet Schaap, that guides and inspires the translator. As I gain a feeling for the author’s voice and for the text, I begin to have a sense of how they might have used the resources that are available in English, which helps me as a translator to follow creatively in the author’s footsteps. With any book, fiction or nonfiction, I take some time to listen closely to the author’s voice, even if I think I know it already from other books.

(3) The shortlisting of Lampie is a historic moment for the Carnegie Medal as it’s the first time a translated book has reached this stage, are there challenges with bringing translated titles to the UK children’s market and how important are prizes and promotions?

It’s fantastic news. I’m British, so I grew up reading all those wonderful authors who won the Carnegie Medal. I remember Susan Price coming to visit us at our local library club and reading to us from The Devil’s Piper, which I believe was her first book. I was very excited when she signed the book for me. Then there were other authors I loved and read, such as Lucy M. Boston, C.S. Lewis, Eleanor Farjeon and, more recently, Philip Pullman and Patrick Ness. One of my favourite books ever, Elizabeth Goudge’s The Little White Horse, won the award in 1946. My mom gave me her copy of it when I was little, as it had been a favourite of hers too. So, it’s amazing for me to have worked on a book that has been recognised by an award with such an illustrious history. I’m so grateful that translated books are now eligible for the Carnegie Medal too, reflecting the fact that great children’s literature comes in many different languages. The British and American markets have traditionally been a little reticent about opening up to books in translation, but I believe that is starting to change. We’re seeing more and more great books in translation, and recognition of translated books is important. We need to hear more voices and read more great stories.

(4) Were there particular parts of Lampie that you found more enjoyable to translate or more challenging and what were the reasons for this?

I enjoyed translating all of Lampie, from start to finish. Annet has such a strong voice and such a great ear for dialogue, so it was particularly good fun trying to echo what she’d done with the Dutch dialogue. I have to confess to a particular fondness for the mean voice of the wind in the first few chapters. It’s a fun book to read aloud.


(5) What kind of communication did you have with author Annet Schaap?

Sometimes when I’m translating, I’ll have a few questions for the author as I’m working, but that wasn’t the case with Lampie, as the story is told very smoothly. During the editing stage, Annet had a look at the translation and we emailed about a few points. We discussed some questions with Daniel Seton from Pushkin Press and, of course, with the wonderful Hannah Featherstone, who is a very sensitive reader and did a great job of editing Lampie. So, there was some back and forth before we finalized the text.

(6) Can you tell us a little about other books you have translated?

I’ve particularly enjoyed translating Tonke Dragt’s books, also for Pushkin Press: The Letter for the King; its sequel The Secrets of the Wild Wood; The Song of Seven; and The Goldsmith and the Master Thief. Tonke Dragt is a beloved author in the Netherlands and, along with many other readers, I’d always found it frustrating that her classic books hadn’t been translated into English yet. Many thanks to Pushkin Press and Adam Freudenheim for making that happen! The Letter for the King was written in 1962 – and it came out as a Netflix series in English this year, which I was so pleased about. Happily, Tonke Dragt is still with us, so she’s been able to see what a success her books have been in English too.

(7) Finally, if you were making a case to champion translated books to librarians what comments would you make around the importance of reading work in translation?

Translated books can open up new worlds that you might never have thought about. In a way, a translated book offers a double guarantee of quality, too. Not only has the book made it to publication in its original language, it has also been well received at home already, and so publishers, literature foundations, readers, reviewers, authors, illustrators and translators have joined its cheerleading squad and, as a result, it’s made its way into other languages. That’s a great recommendation. Ultimately, though, translation provides access to lots of new and exciting tales and characters and allows a wide range of voices to be heard. There are so many great stories waiting out there in the world – and who doesn’t love a great story?

 

Thank you to Laura Watkinson for a fascinating interview.  To find out more about Laura, why not visit her website.  Do check out the international themed videos we have programmed for today as part of the National Shelf Service (these are themed around different book awards from across the globe and will be released on the hour from 11.00am and will cluminate with a  very special prelude to this evening's announcements by 2019 Kate Greenaway Winner Jackie Morris which will go live at 3.00pm).  The announcements themselves will take place on BBC Front Row this evening from 7.15pm.

 

 

Tags:  Carnegie Medal  Reading  Reading for Pleasure  Translation 

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C G Moore introduces 'Fall Out'

Posted By Jacob Hope, 16 June 2020

C. G. Moore's debut novel, Fall Out, publishes this Thursday.  Written for Young Adults, the book focuses on sixteen-year-old Cal Adams and the aftermath of his, not-so-much 'coming out' as falling out and the fall out this causes with his family, friends and foes.  We are delighted to welcome C. G. Moore (Chris), to the blog as he talks to us about his early encounters with gay representation.

 


My earliest memory of seeing a gay character on the television was during an episode of Will and Grace when I was about eleven or twelve. I didn’t get the jokes. I didn’t really understand the subtext of what was happening but I knew that Will and Jack were gay. When I looked at them, I didn’t see myself. I saw stereotypes – gay men that were presented as being hyper feminine; didn’t want to mess up their hair, flicked their wrists, sashayed when they walked. Still, it was more than I saw in the books I was reading. I stopped reading at this age. For a variety of reasons but key to this was not being able to see myself in the books I read. Not a cipher. Not a stereotype. Not a supporting character. It wasn’t until I was eighteen, the age when I finally accepted that I was gay, that I read David Levithan’s Boy Meets Boy. I have a special place in my heart for the book because it was the first time that I remembered seeing a gay protagonist. I craved the world that Paul lived in, how everyone was so accepting at school and his relationship with Noah. I was always a bit of a low-key romantic at heart.

Today, LGBTQ+ creators and stars are in a position where they can subvert stereotypes and show multi-faceted aspects of our community. In film, TV and books, we see the complexities of character rather than ones that are boxed in by their sexuality. When I wrote Fall Out, I wanted to contribute to the stories which reflected LGBTQ+ experiences, continuing discussions around LGBTQ+ issues and people. I wanted to write the world I grew up in; one where I was bullied on a daily basis; one that I wanted to escape so desperately. Today, I have come out of the other side, but the pain of adolescence still lives with me, sticks to me, is lodged deep down in places too tricky to extract. I wanted to use that pain to represent the world I grew up in and offer hope; I wanted gay teenage boys to read Fall Out and see themselves represented.

 

 

 

 

Tags:  Debut  Diversity  LGBTQ  Reading  Reading for Pleasure  Representation 

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Reading between the lines - influences and inspirations from Carnegie and Kate Greenaway shortlisted author and illustrators

Posted By Jacob Hope, 15 June 2020

‘We ALL tell stories all the time.  We narrativise our lives as we try to make sense of them.  We tell useful stories to ourselves, or unhelpful ones, and they are powerful.  We live by them often without knowing.’ 

Marcus Sedgwick

 

 

The CILIP Carnegie and Kate Greenaway Twitter Takeover has been a part of the awards programme for four years now.  This year’s Takeover felt particularly special given the challenges that the awards process, the judges, shadowers, publishers and (of course), the authors and illustrators have faced through Covid-19.  A theme that ran through much of the conversation was the vibrant and varied discussion around the arts and their role as influences and inspirations.

 

With the winners of this year’s awards due to be announced on BBC Radio 4’s Front Row programme on Wednesday 17 June, the story for the awards will feel somewhat different to usual in 2020.  For those who are looking for other work to dive into, delving into different ways of thinking and seeing, here is a compilation of the recommendations made by authors and illustrators throughout the discussions.

 

Poynton High School Library asked Shaun Tan which picture books and or illustrators inspired him as a child and in the present day.

 

‘Phew, too many to list.  Where the Wild Things Are [Maurice Sendak] always loomed large in my imagination and still does.  The Red Tree has some similarities to it, see if you can spot them.  Right now I’ve enjoyed the work of Sydney Smith, an illustrator with great heart in every line.’

 

Talking about nature, Shaun said ‘a book I’d recommend is The World Without Us,  [Alan Weisman] which explains how fast nature would overrun human cities. Part inspiration for Tales from the Inner City actually.’  Shaun also described how ‘stencil street art and the ‘human shadow etched in stone’ of the Hiroshima bombing’ helped influence his use of silhouettes in Tales from the Inner City describing this as ‘Sort of taxonomic and a bit funerary’.

 

Julian and Marcus Sedgwick spoke about their shortlisted book, Voyages in the Underworld of Orpheus Black.  Julian recommended films ‘A Matter of Life and Death’ film and Cocteau’s Orphee which he described as ‘a really worthwhile and hallucinatory viewing experience.’

 

Asked around whether they turn to art during times of adversity themselves and whether they have any first choices, Julian suggested Anton Chekhov ‘He’s like a thoughtful and gently helpful older family member.’  Marcus chose  ‘Thomas Mann for the same reason, appropriately like a wiser older brother saying good things about people.’  Marcus said he looks for voices that aren’t cynical suggesting Adalbert Stifter and Artur Schnitzler.

 

Talking about artists Marcus described how they knew they ‘wanted someone who could capture the feel of some of the actual WW2 artists like [Mervyn] Peake [Mervin], [Alan] Moore.’  Julian described how [Francisco] Goya  was in the manuscript from Harry’s journal. 

 

Julian suggests ‘As long as art reflects complexity, nuance etc there has to be a vital space for art – even in the worst times.’  He suggested [Henryk] Gorecki’s Third Symphony - Symphony of Sorrowful Songs as an example.  Julian cited film makers Powell and Pressberger as ‘so interesting as a working team.’

 

 

Poonam Mistry spoke about the influences of kalamkari and traditional Indian art and also of Inuit textile patterns in her art describing how she likes ‘the patterns in my work to reflect the origins and setting of the story’.

 

Chris Naylor-Ballesteros, revealed that on re-reading The Arrival by Shaun Tan, he realised some of the subconscious parallels that exist between this and his shortlisted title The Suitcase leading to a discussion on inspirations.

 

Beth Waters revealed that she plays the cello in an orchestra and has played [Anton] Dvorak’s New World Symphony twice.  She also introduced us to a song by Siiga, ‘Michelle (Seashell) (see here)  

 

Chris Vick talked about how the frame for his book is from One Thousand and One Nights and introduced e e cummings poem maggie and milly and molly and may

 

Randy Ribay described his personal reading journey, ‘as a kid reading was escapism for and there’s a power in that.  I loved entering Narnia [C S Lewis], Redwall [Brian Jacques] etc.  In college, I came to understand the revolutionary power of books by reading the authors I mentioned in my previous answer.’ 

 

That answer included James Baldwin, Jean Toomer, Sandra Cisneros, Haruki Murakami, Walter Dean Myers, Carlos Bulosan, Jose Rizal, Audre Lorde, Patrick Rosal, Toni Morrison.  Randy commented he picked ‘authors instead of particular books because there are too many to name!’

 

Dean Atta described going to Church of England schools for his primary and secondary education ’the Bible had A LOT of power in my childhood,’  answering a question from Poynton High School Library about past YA LGBTQ authors he admires, Dean suggested Jacqueline Woodson

 

Dean also introduced us to many of his inspirations citing Roald Dahl and Dr Seuss when younger and the poetry of Maya Angelou, Gil Scott-Heron, John Agard, Benjamin Zephaniah, Shakespeare’s plays and also giving an insight into some of his musical tastes Bob Marley, Tupac, Nirvana, The Roots, Ursula Rucker.

 

Dean powerfully described how ‘Reading books about characters similar to ourselves can be such an affirming experience.’ Going on to further state that ‘reading books about identities different to our own can be extremely educational and a great exercise in empathy.’ 

 

These descriptions of the art and purpose of reading sparked a recommendation from Randy remind him of ‘Rudine Sims Bishop’s concept of books as windows, mirrors and sliding glass doors’ (see here)  the premise of which not only underpins why we read and its importance, but also the CILIP Carnegie and Kate Greenaway’s medal’s mission:

 

to inspire and empower the next generation to create a better world through books and reading’.

 

 

If you have any thoughts or recommendations of your own to make, please use the comments section below.

 

 

Tags:  Carnegie  Kate Greenaway  reading  reading for pleasure  shadowing 

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